Abstract
Facial attractiveness has been extensively studied within many disciplines, such as art, anthropology and sociology. Within psychology it has usually been explored via static line drawings, photographs or computer generated pictures of faces. The faces that we see in everyday life, however, are continuously moving as we talk or laugh, for instance. Thus faces are dynamic rather than static objects varying along both spatial and temporal dimensions. While it has been well established that facial motion conveys information about gender, age, emotion and even identity, it is not clear whether it also contributes to the perception of facial attractiveness. Previously we made use of computer animation and motion capture techniques to investigate the relative contribution of facial form and facial motion to the perception of identity.Here, we use the same method to explore whether facial motion contributes to the perception of facialattractiveness. For this purpose we captured complex facial motion patterns from different human actors and applied them to an average face. Preliminary data suggests that facial motion, in the absence of individual facial form cues, can be used as a basis for attractiveness judgements. We are currently investigating the relative contribution of both cues, facial form and facial motion, to the overall impression of facial attractiveness.
| Original language | English |
|---|---|
| Journal | Journal of Vision |
| Volume | 2 |
| Issue number | 7 |
| DOIs | |
| Publication status | Published - 2002 Dec 1 |
| Externally published | Yes |
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ASJC Scopus subject areas
- Ophthalmology
Cite this
Facial motion and the perception of facial attractiveness. / Knappmeyer, Barbara; Thornton, Ian M.; Etcoff, Nancy; Bulthoff, Heinrich.
In: Journal of Vision, Vol. 2, No. 7, 01.12.2002.Research output: Contribution to journal › Article
}
TY - JOUR
T1 - Facial motion and the perception of facial attractiveness
AU - Knappmeyer, Barbara
AU - Thornton, Ian M.
AU - Etcoff, Nancy
AU - Bulthoff, Heinrich
PY - 2002/12/1
Y1 - 2002/12/1
N2 - Facial attractiveness has been extensively studied within many disciplines, such as art, anthropology and sociology. Within psychology it has usually been explored via static line drawings, photographs or computer generated pictures of faces. The faces that we see in everyday life, however, are continuously moving as we talk or laugh, for instance. Thus faces are dynamic rather than static objects varying along both spatial and temporal dimensions. While it has been well established that facial motion conveys information about gender, age, emotion and even identity, it is not clear whether it also contributes to the perception of facial attractiveness. Previously we made use of computer animation and motion capture techniques to investigate the relative contribution of facial form and facial motion to the perception of identity.Here, we use the same method to explore whether facial motion contributes to the perception of facialattractiveness. For this purpose we captured complex facial motion patterns from different human actors and applied them to an average face. Preliminary data suggests that facial motion, in the absence of individual facial form cues, can be used as a basis for attractiveness judgements. We are currently investigating the relative contribution of both cues, facial form and facial motion, to the overall impression of facial attractiveness.
AB - Facial attractiveness has been extensively studied within many disciplines, such as art, anthropology and sociology. Within psychology it has usually been explored via static line drawings, photographs or computer generated pictures of faces. The faces that we see in everyday life, however, are continuously moving as we talk or laugh, for instance. Thus faces are dynamic rather than static objects varying along both spatial and temporal dimensions. While it has been well established that facial motion conveys information about gender, age, emotion and even identity, it is not clear whether it also contributes to the perception of facial attractiveness. Previously we made use of computer animation and motion capture techniques to investigate the relative contribution of facial form and facial motion to the perception of identity.Here, we use the same method to explore whether facial motion contributes to the perception of facialattractiveness. For this purpose we captured complex facial motion patterns from different human actors and applied them to an average face. Preliminary data suggests that facial motion, in the absence of individual facial form cues, can be used as a basis for attractiveness judgements. We are currently investigating the relative contribution of both cues, facial form and facial motion, to the overall impression of facial attractiveness.
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U2 - 10.1167/2.7.612
DO - 10.1167/2.7.612
M3 - Article
AN - SCOPUS:4243185704
VL - 2
JO - Journal of Vision
JF - Journal of Vision
SN - 1534-7362
IS - 7
ER -